豐原國周Toyohara Kunichika (1835–1900)
  • 豐原國周Toyohara Kunichika (1835–1900)

    当势三十二想 系腰带之相

    Kunichika Toyohara, Leaving a Bad Taste, from the series of Thirty-two Fashionable Physiognomies

     

    1869年

     

    木版画|纵绘大判|36cm x 24.5cm

    Woodblock|Oban tate-e|36cm x 24.5cm

     

    《当势三十二想》是丰原国周较为出名的美人画系列。该系列,国周特别注重突出美人生动的面部表情和手势,给予看客一定的想象空间去猜测美人当时在做什么,在想什么。这类接地气的美人画作为“明治现实主义”的先驱题材,在明知中后期日益流行。此次呈现这幅画,丰国刻画了一个嘴巴咬着腰带,正准备系腰带的民女。看她一幅若有所思的样子,她在想什么呢?Emm....可能在想“为什么这条腰带味道那么难闻?”

    "The Thirty-two Aspects of  Physiognomies " is one of Kunichika's most well-known -- and unusual -- series of Bijin prints. In these boldly pigmented designs, he paid special attention to the facial expressions and gestures of the women, giving viewers a chance to guess just what the subjects were doing and thinking. This kind of down-to-earth painting was the forerunner, in a way, of "Meiji Realism." Here a young woman holds her belt in her mouth as she prepares to tie it. But... what is she thinking? Perhaps, "This belt tastes terrible"?

     

    颜色鲜艳;画面上方有少许虫洞;有托底

    Rich colors; wormholes on the top margin; backed

     

    $350